Polymer Clay Fan

There are a lot of different ways you can sculpt scales and the tutorial below is just one of many examples that you can use. I’m using a wax in this tutorial but the same steps can be used with polymer clay.

1. The first step is to design and sculpt the forms of your sculpture (i.e. muscles bulging, wrinkles in skin, etc)
2. Next, using a sharp tool I will draw patterns into my wax.
3. Periodically I’ll brush away the excess wax to clean my surface while I work.
4. Once I have my pattern to my liking I’ll go back and carve a deeper cutout around my shapes.
5. After the excess wax has been removed I’ll begin to smooth out and clean up the sculpture with Odorless Mineral Spirits (use rubbing alcohol if you are sculpting with polymer clay). Read the rest of this entry »

Hey Gang, with Halloween fast approaching did you know that there is a really cool and great way to really impress your friends and family with your talent?. Although this website centers more around sculpting with polymer clay and wax, there are a lot of other types of materials that you can easily sculpt. Metal and wood seem obvious answers here but how about pumpkins. Can you think of any better way to spice up your Halloween this year than sculpting a really cool looking pumpkin?

Now I don’t want to be misleading here, sculpting pumpkins in very different than sculpting in wax or polymer clay. It’s kind of like sculpting with wood, the process is 100 percent a subtractive. You have to carve away the flesh of the pumpkin and any mistakes made could force you to reshape or even change your design. I know it sounds challenging but with a little practice it really is not that bad and most important of all it is a ton of fun! Read the rest of this entry »

Not a lot going on with this lesson but I thought I would give a look at the back from one more angle. The left side of the back is as far as I’m going to take it until I move forward with the right half of my back. I wouldn’t recommend sculpting a back this way because it can mess up the balance of the muscles in the piece. The best approach is the sculpt the entire form at once. The only reason why I broke it down into the shapes is because I wanted to show a contrast between the two halves. Read the rest of this entry »

The top half of my back still needs some work but I want to move on to the lower back to try and pull all the shapes together. I’m going to need to start working on the right half of the back pretty soon to make sure that all the shapes are coming together correctly. Once I sculpt the right half I should get a good idea if any of the individual shapes need to be reworked.

For this step I’m sculpting the muscles and skin folds that make up the lower back. Again using a loop too I carve out the areas individual muscles. If I carve away too much I can always go back and add little bits of clay here and there but since the lower back already has too much clay I can carve away the shapes for the folds of skin (and muscles). Read the rest of this entry »

Step three in this tutorial builds on the first two steps that we used to sculpt the back. I continue to build out the individual forms by adding and removing clay to mimic the shapes in my resource material.

For this sculpture I am sculpting the details on the left side of the back first and then will move to the right side. I’m only doing it this way because it is a little easier to create a tutorial using this method. If I was just sculpting this without trying to document the process I would sculpt both side of the back at the same time. Read the rest of this entry »

In the last tutorial I briefly went over how I like to draw out a rough outline of the different muscles. I use this trick on quite a few places on the body and it really helps be understand and build out the individual shapes. For example, I like to draw out the individual muscles when I sculpt muscular arms and very lean abs. The back also has a lot going on so even though my outline is pretty rough it still helps me break down the back into the individual muscles (or shapes).

The first step is to separate my back into two halves. Now you can’t just simply carve a line down the center of the back, otherwise your sculpture will look like it has a canon going down the center of it. To make the back look more natural I will blend the two halves of the large back muscles (latissimus dorsi) into the area of where the spine is located. This task is easily accomplished by carving the center edges of the back until it gently slopes to the spine. I keep working both halves of the back until I get a look that I am happy with. Read the rest of this entry »

Sculpting a back can be a little tricky and I’ve always found it to be a bit challenging as well. There are a lot of different muscles and bones that make up the back and more importantly the shapes they create come and go into all different directions. Now sculpting a back with more body fat on it would decrease the difficulty but I prefer designs of a leaner physique. However, the key with this sculpture is to not go too lean on the back because it will not flow well with the rest of the design.

I have already sculpted a rough shape of the back when I blocked out the torso. Now I need to tie the individual muscles together while trying to make it look natural. Using a sharp sculpting tool I like to draw out some of the individual shapes. Basically I’m trying to break out the scapula, traps and lower lats into different basic shapes. Once this stage has been completed I will build out the individual forms. Read the rest of this entry »

I know I just recently put together a lesson on sculpting the scars but the pictures for that lesson were taken a couple of years ago so I thought I would reinforce that lesson and also show you another way to create the individual scars. The previous lesson for sculpting scars was Lesson 8 in this series and for those that missed it you can read it at the following link – Tribal scars

There is an old saying in the US that there is more than one way to skin a cat. For those of you that read this blog from another country the saying simply implies that there is more than one way that you can do things. The saying hold true for sculpting and one way is not necessarily better than another. It really just comes down to your personal preference. I’ve outlined the steps for this lesson below. Read the rest of this entry »

The next phase in this project is to start fixing some minor issues that I had with the original belly. Basically the main issue is that in some parts the torso was too flat and needed to be pulled out more. I’ve already sculpted my belly button so I want to be careful that I do not mess up any of the details in that area.

I’ve broken down my steps below.

1. Draw a line outlining the location of the sternum and the center line for the belly.
2. Add small balls of clay to bulk out the areas that need to be pulled out more. In this case I need to pull out the skin over the sternum, the portion of the belly above the belly button and the sides of my figure.
3. Blend the balls of clay into the base of the belly
4. Smooth out with my finger Read the rest of this entry »

In this next tutorial I will walk you through the steps for sculpting a belly button. Belly buttons are actually made up of interesting shapes and there really is a lot more to sculpting them then just creating a hole inserted into the clay. Now belly buttons come in all types of shapes and designs but there are some traits that are common in most belly buttons. For instance there are small folds of skin in and around the belly button. Also, if you look closely the design and shape of the stomach also changes around belly buttons as well.

Because belly buttons come in all kinds of shapes and sizes there are many different types of belly buttons that you can sculpt. Keep in mind that this tutorial is just one example of how a belly button can look. So use this tutorial as one option for sculpting a belly button and see what designs you can come up with. Read the rest of this entry »